Zackary Dunivin, a sociologist at the University of California, Davis, was intrigued by the concept of the “27 Club” after watching a movie about artist Jean-Michel Basquiat, who died at the age of 27. This myth suggests that famous individuals, especially musicians, are more likely to die at this particular age. Dunivin’s research, published in the Proceedings of the National Academy of Sciences USA, delves into how this myth influences the perception of fame and tragedy surrounding those who die at 27.
The belief that talented individuals are destined for early deaths dates back to ancient times, with the Greek playwright Menander stating, “Whom the gods love die young.” However, the idea that musicians and artists specifically die at the age of 27 gained popularity in the 1970s following the deaths of icons like Brian Jones, Jimi Hendrix, Janis Joplin, and Jim Morrison within a short time frame. This series of high-profile deaths fueled the emergence of the 27 Club myth, leading people to believe in its significance.
Dunivin’s study analyzed a database of notable individuals to understand the impact of dying at 27 on fame. While the data did not show an increased risk of famous people dying at this age, those who did experience a surge in popularity posthumously. This effect was particularly notable for individuals who had achieved the highest levels of fame, indicating that dying at 27 could contribute to a lasting legacy and increased recognition.
The research conducted by Dunivin and his co-author, sociologist Patrick Kaminski, sheds light on the complex interplay between cultural myths, fame, and tragedy. By utilizing statistical models and empirical data, the study provides valuable insights into how narratives like the 27 Club influence public perception and shape the legacies of famous individuals.
In conclusion, the study offers a compelling analysis of how myths and superstitions in the music industry can impact the way we remember and commemorate artists who tragically die young. By unraveling the mechanisms behind these beliefs, researchers like Dunivin and Kaminski contribute to our understanding of how cultural phenomena shape our collective memory and perception of fame.
